#Groove agent se5 tutorial full

This separates the ‘Tonal’ (ie, pitched - the body of a snare drum, say) and ‘Noise’ (ie, unpitched - the snare wires) components of a sample and saves them out as two new samples for independent levelling, processing and recombination, mixing with other disparate sounds, or anything else you can think of. Split personalityįor our money, Groove Agent 5’s most interesting new feature is the Decompose system, which is also housed in Beat Agent.

You can also now use Acoustic and Percussion Agent Styles with Beat Agent, incidentally. These feel more valuable than The Kit, giving dance music producers plenty of quality material to chew on.

#Groove agent se5 tutorial full

Acoustic Agent still offers very little in the way of editing and control, either - you can’t even mix and match pieces from different kits or import Beat Agent samples, for example.ģ1 new Kits (samples and MIDI patterns) for electro, trap, house, garage and other electronic genres by Joe Ford, Billain, zKlang et al have been added to Beat Agent’s arsenal, taking the full GA5 footprint up to 31GB. It all adds up to a tightly conceived and intuitive system for quickly flying anything you like into your Groove Agent kits in real time.Īs good as The Kit is on its own terms, though, it’s hardly a gamechanger within the overall GA context, as the majority of users will be satisfied with the incumbent (albeit much smaller) Rock, Studio and Vintage Acoustic Agents, and those seeking a versatile high-end drum kit instrument would clearly be better served by the far more expansive likes of Toontrack Superior Drummer 3 or FXpansion BFD3. The Sample Recorder Options page enables selection of bit depth, file format (WAV or AIFF), sample storage location, and even a variety of file naming schemes.

Various methods of auto-mapping sequentially recorded samples are provided (all to one pad, chromatically, black or white notes only, etc), and the ability to start and stop recording via MIDI makes it easy to slice loops across contiguous pads using an appropriately configured MIDI clip, for example.

Recording can be started and stopped manually or when the incoming signal exceeds and/or drops below specified volume threshold (with optional Pre/Post periods and automatic trimming) and other plugins and audio tracks are routed directly into Groove Agent 5 via the sidechain input. The Sample Recorder appears as a tab in Beat Agent’s Instrument Edit page. The all-new integrated Sample Recorder enables internal and external audio signals - microphone inputs, hardware synths and drum machines, other virtual instruments in the host DAW, etc - to be directly captured to Groove Agent 5’s pads.